MombasaFlash
Heli's & Tele's bloke
The recent hubbub over the Sony CX7xx series camcorders meant I just had to try one. Video capable DSLR's and hybrids are great but I would really prefer to have a camcorder. A tool designed specifically for the task.
I pitted it against a GH2 loaded with the Sanity5 hack. This is supposed to be a low level mild patch but it still has the power to freeze the 95mbs/64GB extreme Pro SDXC card now and then. The GH2 has practically all the manual options one could ever want plus three incredibly useful memories for user settings. These permit instant changing between three totally different camera setups.
The CX730 would be offering 1080p50 video, a reportedly brilliant lens stabilisation system and remote zoom. Sadly, the manual options are absolutely pathetic and the BOSS OIS does not stabilise the Roll Axis - which is actually the one axis that needs stabilising before any thing else.
The CX730 produces pleasing colour straight out of the camera, much like a Canon, but the image sharpness sometimes lacks 'wow', although it IS better than the NEX. The GH2 colour is rather hard-edged somehow but the overall clarity is yet to be surpassed. It honestly produces better images than my Panasonic P2, for a quarter of the weight and a tenth of the price.
The rear screen and buttons of the GH2 permit easy access for making last minute adjustments. The illegible touch-screen (once the camera is in place in the gimbal) and tiresome menu structure of the Sony mean that the CX730 has to be pulled out of the gimbal everytime anything needs to be verified or changed.
The composite video output of the CX730 allows easy and direct connection to the video downlink. Unfortunately, absolutely NO camera info is sent down this line. Not even confirmation that record is enabled. The GH2 has the idiotic HDMI that gets even worse by changing the camera settings if it is used.
This vid is just a resolution and colour comparison between the two. Both cameras were recording to 1920 x 1080p at 25 fps with zooms on max-wide. Colour palettes were set to 'Standard' on the GH2 and 'Landscape' on the CX730. The GH2 was ƒ18 @ 100fps, ISO160 with manual infinity focus and level 1 of its Mega OIS. CX730 with its feeble manual options was on full-auto, so I have no clue what exposure settings it had selected, and its BOSS OIS was set at Standard.
Both cameras were carried by a Droidworx AD-8 HLE multi-rotor with a PhotoHigher AV200/360 gimbal (pan axis disabled) using a Picloc 3X Pro. Wind was gusting to 28kph (verify with the 'dancing tree' wind meter). Camera files were imported into Final Cut Pro with Log & Transfer. No post processing has been applied, other than the split screen and captions.
I pitted it against a GH2 loaded with the Sanity5 hack. This is supposed to be a low level mild patch but it still has the power to freeze the 95mbs/64GB extreme Pro SDXC card now and then. The GH2 has practically all the manual options one could ever want plus three incredibly useful memories for user settings. These permit instant changing between three totally different camera setups.
The CX730 would be offering 1080p50 video, a reportedly brilliant lens stabilisation system and remote zoom. Sadly, the manual options are absolutely pathetic and the BOSS OIS does not stabilise the Roll Axis - which is actually the one axis that needs stabilising before any thing else.
The CX730 produces pleasing colour straight out of the camera, much like a Canon, but the image sharpness sometimes lacks 'wow', although it IS better than the NEX. The GH2 colour is rather hard-edged somehow but the overall clarity is yet to be surpassed. It honestly produces better images than my Panasonic P2, for a quarter of the weight and a tenth of the price.
The rear screen and buttons of the GH2 permit easy access for making last minute adjustments. The illegible touch-screen (once the camera is in place in the gimbal) and tiresome menu structure of the Sony mean that the CX730 has to be pulled out of the gimbal everytime anything needs to be verified or changed.
The composite video output of the CX730 allows easy and direct connection to the video downlink. Unfortunately, absolutely NO camera info is sent down this line. Not even confirmation that record is enabled. The GH2 has the idiotic HDMI that gets even worse by changing the camera settings if it is used.
This vid is just a resolution and colour comparison between the two. Both cameras were recording to 1920 x 1080p at 25 fps with zooms on max-wide. Colour palettes were set to 'Standard' on the GH2 and 'Landscape' on the CX730. The GH2 was ƒ18 @ 100fps, ISO160 with manual infinity focus and level 1 of its Mega OIS. CX730 with its feeble manual options was on full-auto, so I have no clue what exposure settings it had selected, and its BOSS OIS was set at Standard.
Both cameras were carried by a Droidworx AD-8 HLE multi-rotor with a PhotoHigher AV200/360 gimbal (pan axis disabled) using a Picloc 3X Pro. Wind was gusting to 28kph (verify with the 'dancing tree' wind meter). Camera files were imported into Final Cut Pro with Log & Transfer. No post processing has been applied, other than the split screen and captions.
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